York Museums Trust Blog

Agate is a semi-precious stone often used in jewellery. It is a form of the mineral Quartz, known as Chalcedony. It is only known as agate when it is banded as shown by this specimen. There is almost always a difference in colour and translucency between individual bands. This example is a polished, oval flat cabochon and is 33 carats in weight.

The name agate comes from an occurrence in the river Achates (now the Drillo) in the South west of Sicily The old term of achates does not quite equate with our modern agate, since other minerals, including some alabasters, were also known as achates.

Agate is by no means uncommon in Britain and is known from several localities. Scotland in particular is known for particularly high quality agates. In Southern Perthshire, the Ochil Hills have produced many fine agates in the past and continue to do so today.

Info. by - Stuart YORYM : 2006.107

We were lucky enough to be given a tour yesterday by Roger Tomlin, an expert from Oxford University. His specialist subject for the day was Roman inscriptions in the Yorkshire Museum, literally shining a new light on the many words in the Roman Gallery.

Personally, the greatest revelation was this stone, which I’d never paid any attention to before. It turns out to be the best piece of Roman inscription in the country and to be an important part of York’s story, marking a major gate of the Roman fortress.

You can now see it on the History of York website here.

The paper dress had its origins in marketing and consumerism. The first ones were used as a cheap promotional gimmick by the Scott Paper Company in 1966. The response from the public was overwhelming; 500,000 paper dresses were exchanged for coupons saved from Scott products.

The hem on the dress was left deliberately left unfinished; since the paper doesn’t fray, the dress could be cut to the required length. A handy tip was to use the leftover fabric as a matching hair bow!

The fad for paper dresses did not last as paper garments had a short life. Once the novelty value had worn off paper garments were relegated back to their original purpose as protective clothing for use in hospitals and factories.

You can see film footage in The Sixties gallery at the Castle Museum that shows just how disposable these dresses could be.

Info. by - Jackie & Josie

YORCM : BA 1076

This morning we launched a fantastic new event-cum-exhibition on the streets of York.

There’s been an embargo on news about it, so nothing on the blog either, but for the last few months we have been beavering away, laying plans, choosing sites, getting permissions and generally running around trying to make this happen.

We’ve been working with one big organisation - the National Gallery - and one huge one - Hewlet-Packard - to bring 49 reproduction paintings to the streets. It has been an interesting and exciting process. The support within the city of York has been wonderful.

In the spirit of the blog here are a few behind the scenes shots:

The team fitting the paintings deserve a plug - they also printed them - : EPS

The official site is here: www.thegrandtourinyork.org.uk

Illustrations from the Tillotson Hyde Collection

This watercolour by Marjorie Miller is one of my favourites from the Tillotson Hyde Collection. Miller was an illustrator of children’s stories and periodicals around 1924-1935. The elongated figure and composition demonstrate a Japanese influence.

James Tillotson Hyde (1894-1973) amassed a collection of some 1,500 drawings, most of which were original illustrations for newspapers, childrens’ publications and satirical publications such as Punch. In 1962, he gave his collection to York Art Gallery, where it now resides.

YORAG : R4414 Info. by – Jenny

Forrest Gump was so obviously wrong…life is nothing like a box of chocolates…life is, quite clearly, a series of opportunities to eat biscuits.  Biscuits tend to carry with them a penalty, such as attendance at a meeting or a promise (if I eat this biscuit I promise to do at least an hours work before I have another) and some turn out to be a little stale, or what you thought were chocolate chips are actually currants.  Then there’s the fact that they often come accompanied by a hot beverage, thus adding a whole layer of metaphorical complexity that boxes of chocolate simply do not have.  See? So much more like life…

Today is the first time our refurbished historic  Hospitium building has been used in anger.  Well probably not in anger - the first clients are the Museums Association who are holding a conference on collections information management.

We have a horse in the gallery. Stubb’s life-size painting of Whistlejacket arrived last Thursday and to general sighs of relief, fitted through the door (with only millimetres to spare.)

He was wrapped in pinky paper - like the Jumblies feet - and arrived in an enormous, articulated lorry. It transpires that the lorry itself is not quite big enough to accommodate him, so he travels in a sort of horse-box attached to the back!

This is a porcelain three-tier table centrepiece by Rockingham and stands about 2 feet tall. It was made at Brameld & Co. between 1830-1868 and was decorated by Alfred Baguely in the same design as a dessert service made for William IV in 1830.

It is an incredibly complex decorative piece of 10 parts, combining modelling, matt and burnished gilding, painted scenes on the base (Hawes water from Thwaite force and Lowther Castle and Park) and tiny painted Civil War scenes on the bowl at the top. It is a beautiful though somewhat gaudy piece on its own, but imagine it covered in flowers, fruit and desserts on a Rococo period table….

From the Arthur Hurst Bequest to the Yorkshire Museum in 1940. Currently in store 

 Information by - Helen

YORYM:2000.4708

One of the main spaces at the gallery has been under wraps for the last few months.

Following a problem with falling plaster the South Gallery has been completely refurbished.  A suspended ceiling has been removed to reveal an attractive Victorian roof space.

This is a sneak preview: click here